Browse Entries (6 items total)

This paper manuscript is possibly the presentation copy of a treatise on edible fruits dedicated to Ercole I d’Este, Duke of Ferrara (1431–1505). It appears to have been personally transcribed by its author, Baptista Massa of Argenta, and includes a colophon bearing the date of 10 June 1471. Each chapter is devoted to a type of fruit and its effects on parts of the body, such as the complexion, stomach, kidneys, heart, and brain. The names of medical authorities cited in the text, such as Galen, Avicenna, and Isaac Israeli, are written in the margins in red ink, demonstrating the extent to which classical and Arabic sources remained dominant reference points in physiological studies at the time.

This is a manuscript copy of a famous ode to Guidobaldo of Montefeltro (1472–1508), Duke of Urbino, by Baldassare Castiglione (1478–1529). The text was dedicated to King Henry of England, named specifically as Henry VII, in the first edition of the text. The manuscript’s fine humanist script, decoration, and coats of arms on the first page, together with the early English ownership marks, suggest that it was the presentation copy brought to England and offered to the king. Federigo Veterani (ca. 1450–1530) acted as both scribe and illuminator of this copy and served as librarian and secretary to Guidobaldo’s father, the great condottiere, patron of the arts, and bibliophile, Federico da Montefeltro. The lofty position of the manuscript’s intended recipient demonstrates how European rulers could use the services of a talented poet not just for personal flattery, but also for cementing strategic alliances at the highest levels.

This short, rhymed work in French by the Burgundian chronicler and poet Georges Chastellain (ca. 1402/1415–75) is entitled L’oultré d’amour pour amour morte, or “The Lover’s Lament over the Death of his Love” in English. Chastellain was a prominent figure at the Burgundian court, serving dukes Phillip the Good and Charles the Bold with distinction. This copy was likely produced in Western France in the 1460s or 1470s, possibly dating from Chastellain’s lifetime. Given the popularity of this text in Renaissance France, this manuscript is especially notable because of its subsequent presence in an important humanist library, that of Jacques Thiboust (1492–1555), a noted book collector in early sixteenth-century France who served as a notary and secretary to King Francis I and his sister Marguerite de Valois.

This is the presentation copy of a work on cryptography made for Alfonso da Borgia (1378–1458) during his three-year reign as Pope Callixtus III. The text demonstrates two methods for encrypting text based on alternate words supplied in tables, to which both communicating parties would have exclusive access. During his brief pontificate, Callixtus was preoccupied with countering Ottoman Turkish advances in the Mediterranean, calling for a new crusade in the wake of the fall of Constantinople. The intricate bianchi girari or white-vine decorations, depicted here on the manuscript’s first folio, were created by Gioacchino di Giovanni di Gigantibus (act. ca. 1450–85). Originally from Rothenberg, this professional illuminator worked for members of the papal court from 1448 onward, and his involvement indicates that Zopello was in Rome to coordinate the production of his manuscript.

This mid-fifteenth-century manuscript contains six texts relating to papal affairs in the first half of the century, each written by a prominent literary figure of the day. The first, by the diplomat and scholar Giannozzo Manetti (1396–1459), consists of an oration to Nicholas V, who was widely admired for rebuilding Rome and establishing the Vatican Library during his pontificate (1447–55). The second text consists of another oratio in praise of Nicholas V, Poggio Bracciolini’s oratio ad summum pontificem Nicolaum V, which is followed by Franciscus Florentinus’s Letter to Nicholas V. The final three tracts are shorter works by Leonardo Bruni and deal with the circumstances surrounding the Council of Basel and its convocation by Martin V (r. 1417–31). The coat of arms depicted here, a red unicorn rampant on a silver field, suggests that the manuscript’s first owner was a member of the Picenardi family of Cremona.

The Walloon poet and historiographer Jean Lemaire de Belges (ca. 1473–ca. 1525), wrote this autograph copy of a unique text produced for the Queen of France, Anne of Brittany (1477–1514). This copy is likely the sole surviving exemplar of this unpublished and unknown work. Anne, to whom the work is dedicated, was an extraordinary political leader and a great patroness of the arts. She has the distinction of being the only French sovereign to have been twice crowned, first as the wife of King Charles VIII and then, after his sudden death in 1498, as the consort of Charles’s successor and second cousin once removed, Louis XII. The first page opening includes the year in Roman numerals as well as the queen’s Castilian motto “NON MUDERA,” which she inherited from her Spanish mother.